Stage

Tilted Wig's Around The World in 80 Days, reviewed at the Corn Exchange by ROBIN STRAPP.

The Watermill Youth Ensemble: Through The Looking Glass reviewed by ROBIN STRAPP.

Hay Fever at The Mill at Sonning reviewed by DEREK ANSELL.

Edinburgh Fringe hit a queer urban fable about bisexuality and what we allow people to believe.

Creation Theatre's adaptation of Dickens' The Signalman reviewed.

'A perfect example of a show where the adults are just as enthralled as the kids'.

On Track at the Corn Exchange, based on an original idea by Newbury Road Cycling Club member Cassie Friend.

Complicité's Drive Your Plow Over the Bones of the Dead, at the Oxford Playhouse, review by JON LEWIS.

Cassie Friend's On Track comedy comes to the Corn Exchange.

Watermill premiere of stage adaptation of Bill Bryson's Notes from a Small Island, review by Niki Hinman.

Emmeline at the Old Fire Station Oxford, reviewed by JON LEWIS.

Review of No Dogs drama based on interviews with Irish immigrants and migrants from Jamaica.

World premiere for stage adaptation opens at The Watermill next month.

Exciting times ahead for Reading theatre space.

Sensational new phantasmagoria encompasses bizarre circus acts, rock score and a sinister story of witchcraft and dark magic.

Ballet, tap, street dance and Bharatanatyam were just some of the dances put on at this years dance gala.

If someone was mysteriously murdered on a work trip would you be able to crack the case?

Compton Players' Helen Saxton and Pete Watt's two-hander In Her Defence reviewed.

The New Era Players present The Hollow by Agatha Christie.

Julius Caesar at Magdalen College School, Oxford reviewed by JON LEWIS.